Work In Progress

Back in Maya again, experimenting with some of the devices and charts I've picked up from some very classic early cartoons. Mostly from the work of Friz Freleng and Tex Avery. Most of these curves are still linear or step. I've still got about 130 or so frames to animate, some things to refine (especially facial), and then cleanup. I've actually found a way to use some of the blur frame 2d idea in Maya (see rat animation below), but I'm not going to use it here. I'm thinking about using a motion blur on some of the fastest movements and see what it looks like. This piece is cartoony without all the squash and stretch. And I should tell you, there is a naked lady... I've been exposed to too much Benny Hill lately.

Eric Goldberg Talks About Ken Harris

I found this video digging around You Tube. I've ripped off so many charts from Ken Harris- he's my favorite animator of all time. The Animator' s Survival Kit is a Ken Harris/Art Babbitt animation chart goldmine. Animators spread rumors about where to get notes, who has the notes, who wrote stuff down. Because it is valuable information. There are legends of reams of Art Babbitt notes floating around- I'm telling you, read the Animator's Survival Kit. It will save a lot of time, the charts apply to everything, and it's already been proven to work. Memorize some basic charts, draw well, and read all the notes you can. Start with Dick Williams and then go straight to Stanchfield.

Some Ken Harris art- I like looking at this kind of thing. And here is a picture of the master. Pretty intense expression...